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    Surveillance Technologies in Performance and Migration

    Surveillance Technologies in Performance and Migration by Carey-Green, Sidonie;

    Series: Performance and Digital Cultures;

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        22 575 Ft (21 500 Ft + 5% VAT)
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    22 575 Ft

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    Short description:

    This book reflects on the impact of digital border systems on migrating bodies in relation to movement and performance, examining a range of contemporary performance practice, including the author's collaborative practice-based explorations of surveillance technologies.

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    Long description:

    Reflecting on the violent impact of digital border systems and surveillance practices that dehumanises migrating bodies, this book draws parallels to similar harmful acts of identity marking in relation to performance and migration.

    Performance practice creates an opportunity for bodies reduced to data at digital border zones to reject the numerical label forced upon them, making a more human and multifaceted counternarrative. Leading with the original concept of 'choreographing evidence', the book applies Practice as Research methods to performance works created with artist and refugee Tom Tegento: Uninvited (2021) and Contagion (2021). This work disrupts surveillance technologies and their violence towards bodies at borders as well as using them in alternative ways within performance practice. It considers how choreography which utilises both overt optical tracking technologies and GPS methods embedded in smart devices can enable othered bodies to redraw borders, reclaim narratives and resituate the self.

    Alongside this PaR work, the book analyses contemporary performance which uses the body and/or technology to explore narratives of migration. It offers examples of UK and European works which critique the way migrating bodies are represented within performance, including Flight Pattern (2019), A Place to Sit (2021), The Walk (Little Amal) (2021) and Now is the Time to Say Nothing (2019). The insights gained offer a richer understanding of the power dynamics at digital borders, how they function, how they can be resisted and how they are felt and lived.

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    Table of Contents:

    List of Illustrations
    Acknowledgements
    Series Editors' Preface
    Opening Provocation, Tom Tegento

    Introduction
    Intentions: Choreographing Evidence

    Chapter 1: Transcribing Bodies Into Data
    Introducing Data to the Body
    Histories of Data Bodies and Cyborgean Qualities
    Bodies as Data
    Recent Technology at Europe's Borders
    Capturing Bodies
    Dancing into Data

    Chapter 2: A Movement Perspective: Performances on Migration and their Implications
    Flight Pattern and Stolen Embodiment
    A Place to Sit and Dance with Strangers
    Walking with Little Amal
    Temporarily Entering Virtual Worlds in The Machine to Be Another
    Equal Exchange in Now is the Time to Say Nothing
    Pillars of Commitment

    Chapter 3: Re-mapping the Border Within Uninvited
    Introducing the Practice & Process of Uninvited
    Carrying the Border
    Reclaiming the Image Through Drone Intervention
    Choreographing Evidence by Re-Mapping Borderlines
    The Uninvited Guest, Spaces of Disallowed Arrival
    Evidencing The Between as a Site of Autonomy

    Chapter 4: Re-writing the Body-as-data across Global Spaces through the Contagion Mobile App
    The Contagion App and Productive Failures
    Shifts, Becomings and Glitches
    Evidence Left in Footsteps
    App Based Interventions
    Choreographing Evidence: (Re)organising Space and Time

    Conclusion

    References
    Index

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