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  • STEIDLWERK No.30: KUNSTHAUS GÖTTINGEN

    STEIDLWERK No.30: KUNSTHAUS GÖTTINGEN by Chan, Theseus; Steidl, Gerhard;

      • GET 15% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 75.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        35 831 Ft (34 125 Ft + 5% VAT)
      • Discount 15% (cc. 5 375 Ft off)
      • Discounted price 30 457 Ft (29 006 Ft + 5% VAT)

    35 831 Ft

    Availability

    Out of print

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Thames & Hudson
    • Date of Publication 26 January 2023

    • ISBN 9783969991619
    • Binding Hardback
    • No. of pages280 pages
    • Weight 2360 g
    • Language English
    • 0

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    Long description:

    Shaped by spontaneity and subversion, STEIDLWERK No.30: KUNSTHAUS GÖTTINGEN redefines the traditions of offset printing. Each book in this limited edition boasts a different range of colors and is thus unique. The publication is a collaboration between Theseus Chan, Gerhard Steidl and the art space Kunsthaus Göttingen, where Chan showed WERK No.30 in printing futures as part of documenta 15. The installation, which he added to daily, was Chans love letter to printed matter in all its forms (from paper sheets and printing plates to recycled packaging), and the book is both the documentation and final piece of this work. Chan and Steidl took up the manifest of WERK No.30to malfunction established mindsets, techniques, and procedures by sabotaging machines and human interventionsand realized it in book form through what they call reverse engineering, deconstructing the processes of printing in order to enhance the results. Embracing intuition and chance, they retained normally discarded test sheets for binding, shut off water on press to create unpredictable color patterns, and exchanged standard CMYK colors for fluorescent variants. The outcome champions printed anarchy and is no less than a wholly new form of book.

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