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  • Stanislavsky in Focus: An Acting Master for the Twenty-First Century

    Stanislavsky in Focus by Carnicke, Sharon Marie;

    An Acting Master for the Twenty-First Century

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      • Publisher's listprice GBP 36.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        17 671 Ft (16 830 Ft + 5% VAT)
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    17 671 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 2, New edition
    • Publisher Routledge
    • Date of Publication 1 September 2008

    • ISBN 9780415774970
    • Binding Paperback
    • No. of pages272 pages
    • Size 234x156 mm
    • Weight 429 g
    • Language English
    • Illustrations 20 Illustrations, black & white
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    Short description:

    Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill.


    The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas.


    This thoroughly revised new edition also delves even deeper into:



    • the mythical depiction of Stanislavsky as a tyrannical director and teacher

    • yoga, the mind-body-spirit continuum and its role in the ‘System’

    • how Stanislavsky used subtexts to hide many of his ideas from Soviet censors.



    The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.

    More

    Long description:

    Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill.


    The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas.


    This thoroughly revised new edition also delves even deeper into:



    • the mythical depiction of Stanislavsky as a tyrannical director and teacher

    • yoga, the mind-body-spirit continuum and its role in the ‘System’

    • how Stanislavsky used subtexts to hide many of his ideas from Soviet censors.



    The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.

    More

    Table of Contents:

    Preface: Stanislavsky Enters the Twenty-First Century  Part 1: Transmission  From Moscow to New York.  New York Adopts Stanislavsky.  Part 2: Translation  The Classroom Circuit.  The Publication Maze.  Part 3: Transformation  Stanislavsky’s Lost Term.  Emotion and the Human Spirit of the Role.  Action and the Human Body in the Role.  Conclusion: A Legacy for the Future.  Appendix I : Reading Between the Lines.  Appendix II: Stanislavsky and Modern Dance.  The System’s Terminology: A Selected Glossary

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