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  • Sound Synthesis and Sampling

    Sound Synthesis and Sampling by Russ, Martin;

    Series: Music Technology;

      • GET 10% OFF

      • Publisher's listprice GBP 35.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        17 194 Ft (16 375 Ft + 5% VAT)
      • Discount 10% (cc. 1 719 Ft off)
      • Discounted price 15 474 Ft (14 738 Ft + 5% VAT)

    15 474 Ft

    Availability

    Out of print

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 2, Revised
    • Publisher Focal Press
    • Date of Publication 27 May 2004

    • ISBN 9780240516929
    • Binding Paperback
    • No. of pages490 pages
    • Size 246x189 mm
    • Weight 943 g
    • Language English
    • Illustrations Approx. 200 illustrations
    • 0

    Categories

    Long description:

    Sound Synthesis and Sampling provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This second edition has been rigorously updated throughout and includes a new chapter on performance, examining how synthesizers have become embedded within more sophisticated musical performance instruments.

    Martin Russ' highly readable and non-mathematical approach makes the subject accessible whatever your level of experience. The book features:
    ? Detailed illustrations to aid your understanding
    ? Topics presented in bite-size sections within each chapter
    ? Additional notes in the margin to reinforce important points
    ? Examples of representative instruments and software
    ? Time lines showing the development of a topic in its historical context
    ? Questions at the end of each chapter for checking your comprehension
    ? A glossary for quick reference
    ? A jargon guide to demystify the varied terminology

    As such, the book is particularly suitable for students of music technology, audio engineering, acoustics, electronics and related courses. Musicians, engineers and multimedia specialists will also want to keep a copy to hand for reference.
    .

    Reviews of previous edition:

    "This is a very good book on the subject. It is detailed enough for the more interested student and easy enough for the average student."
    Lecturer (course: Electronic Music), USA

    "...A very good starting point for studying this particular subject."
    Customer review, Amazon.co.uk

    "...I really love this book. It is so well written, enjoyable and informative. There is no maths and everything is explained in a simple fashion."
    Customer review, Amazon.com

    "This book will help you on your way. A little history, not much math but a lot of help. If you intend to follow this path give this book a read!"
    Customer review, Amazon.com

    "The author does a fine job of presenting an extraordinary amount of material - you will learn real, in-depth background about acoustics and synthesis techniques. I find myself constantly referring to this book when I am in my studio."
    Customer review, Amazon.com

    "I bought this book when I first started on my Music Technology degree... I'm now just finishing my final year project, and I have to tell you... this book has been a fantastic help."
    Customer review, Amazon.com

    "...provides an excellent technical and historical overview of sound synthesis methods in a non-mathematical way."
    Computer Music Journal

    Sound Synthesis and Sampling provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This second edition has been rigorously updated throughout and includes a new chapter on performance, examining how synthesizers have become embedded within more sophisticated musical performance instruments.

    Martin Russ' highly readable and non-mathematical approach makes the subject accessible whatever your level of experience. The book features:
    ? Detailed illustrations to aid your understanding
    ? Topics presented in bite-size sections within each chapter
    ? Additional notes in the margin to reinforce important points
    ? Examples of representative instruments and software
    ? Time lines showing the development of a topic in its historical context
    ? Questions at the end of each chapter for checking your comprehension
    ? A glossary for quick reference
    ? A jargon guide to demystify the varied terminology

    As such, the book is particularly suitable for students of music technology, audio engineering, acoustics, electronics and related courses. Musicians, engineers and multimedia specialists will also want to keep a copy to hand for reference.
    .

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