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  • Sound Hunters: A History of Amateur Sound Recording

    Sound Hunters by Masson, Jean-Baptiste;

    A History of Amateur Sound Recording

    Series: Sound in Urban and Popular Culture;

      • GET 10% OFF

      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 982 Ft (66 650 Ft + 5% VAT)
      • Discount 10% (cc. 6 998 Ft off)
      • Discounted price 62 984 Ft (59 985 Ft + 5% VAT)

    62 984 Ft

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    Availability

    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Taylor & Francis
    • Date of Publication 30 September 2026

    • ISBN 9781041033189
    • Binding Hardback
    • No. of pages284 pages
    • Size 234x156 mm
    • Language English
    • Illustrations 96 Illustrations, black & white
    • 700

    Categories

    Short description:

    "

    This book uncovers the rich history of amateur sound recording enthusiasts—""sound hunters""— and studies their practice from the beginning of sound recording technologies to the cassette. This book will interest researchers and advanced students in sound studies, media studies, musicology, and science and technology studies.

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    Long description:

    "

    This book uncovers the rich history of amateur sound recording enthusiasts – ""sound hunters"" – and studies their practice from the beginning of sound recording technologies to the cassette.

    Readers will discover a comprehensive exploration of sound hunting's material culture, community networks, knowledge transmission, and distinctive aesthetics. The book illuminates diverse practices from oral history collection and recording of local musicians to technical experiments, sonic surveys, soundscapes, and the preservation of disappearing sounds. Through detailed examples, historical figures, and links to online audio resources, it provides both scholarly analysis and practical insights into this overlooked cultural movement that shaped our understanding of recorded sound and listening practices.

    This book will be of interest to researchers and advanced students in sound studies, media studies, musicology, and science and technology studies who are investigating the cultural history of sound recording. It also serves practitioners including sound artists, field recordists, oral historians, and audio archivists seeking historical context for contemporary practices.

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    Table of Contents:

    Introduction 1. The Material Culture of Sound Hunting 2. National and Transnational Networks of Sound Hunting 3. The Formation and Transmission of an Audile Culture 4. “All sounds is ours.” The Aesthetics of Sound Hunting Afterword

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