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  • Shared Listenings: Methods for Transcultural Musicianship and Research

    Shared Listenings by Östersjö, Stefan; Th&&&7911; y, Nguy&&&7877;

    Methods for Transcultural Musicianship and Research

    Series: Elements in Twenty-First Century Music Practice;

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      • Publisher's listprice GBP 18.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        8 599 Ft (8 190 Ft + 5% VAT)
      • Discount 20% (cc. 1 720 Ft off)
      • Discounted price 6 880 Ft (6 552 Ft + 5% VAT)

    8 599 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 12 October 2023

    • ISBN 9781009272544
    • Binding Paperback
    • No. of pages90 pages
    • Size 230x153x5 mm
    • Weight 154 g
    • Language English
    • 495

    Categories

    Short description:

    This Element discusses how stimulated recall methods can contribute to inclusive and decolonised methods for music research.

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    Long description:

    This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019.

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    Table of Contents:

    1. Introduction; 2. Technology-driven advancements in performance studies; 3. Stimulated recall in the ensemble practice of the six tones; 4. Musical transformations: sharing the method with others; 5. Integrating shared listenings; References.

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