Shadow Sites
Photography, Archaeology, and the British Landscape 1927-1955
Series: Oxford Historical Monographs;
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92 557 Ft
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Product details:
- Publisher OUP Oxford
- Date of Publication 29 March 2007
- ISBN 9780199206322
- Binding Hardback
- No. of pages328 pages
- Size 240x165x20 mm
- Weight 700 g
- Language English
- Illustrations 120 halftone illustrations 0
Categories
Short description:
In mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into these evocative interpretations and looks at how they affected the way the landscape was seen.
MoreLong description:
At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities between photography as a medium to capture traces of the past as well as their absence.
She brings a new and highly revealing eye to the neo-romantic landscape
Table of Contents:
Introduction
The Archaeological Imagination
Tracing the Trace: Photography, the Index, and the Limits of Representation
Reading Antiquity, Mapping History
Revenants in the Landscape: The Discoveries of Aerial Archaeology
Recuperating Ruins
A Tale of Two Cities
Conclusion
Appendix: John Piper's 'Papers from Antiquity'