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  • Semantics of Aesthetic Judgements

    Semantics of Aesthetic Judgements by Young, James O.;

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 2 February 2017

    • ISBN 9780198714590
    • Binding Hardback
    • No. of pages228 pages
    • Size 224x146x19 mm
    • Weight 404 g
    • Language English
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    Short description:

    Are aesthetic judgements simply expressions of personal preference? If two people disagree about the beauty of a painting are both judgements valid or can someone be mistaken about the aesthetic value of an artwork? This volume brings together some of the leading philosophers of art and language to debate the status of aesthetic judgements.

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    Long description:

    The question of whether aesthetic judgements are simply statements about subjective preferences or whether they have some non-subjective basis is one of the most important questions of aesthetics, and, indeed, of philosophy. In recent years, philosophers of language have discussed aesthetic judgements, but have assumed that aesthetic judgements are similar to judgements that employ predicates of personal taste such as 'tasty' and 'delicious.' A speaker's judgement that an item of food is tasty is a report about the speaker's subjective response to that item of food. If aesthetic judgements are like judgements that employ predicates of personal taste, to judge that the St. Matthew Passion is glorious is also a report about what some listener likes. If two people disagree about whether the St. Matthew Passion is glorious, neither has made a mistake. Philosophers of art have tended to disagree with this view. They have distinguished aesthetic predicates such as 'serene,' 'balanced,' and 'glorious' from predicates such as 'tasty.' On this view, the judgement that some artwork is serene or even that it is beautiful is a report about the work, not a report about how a person responds to the work. Aesthetic judgements are not just statements about personal preferences.

    This volume brings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Is there more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?

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    Table of Contents:

    Introduction
    Aesthetic Adjectives
    Making Beautiful Truths
    Disputing Taste
    Aesthetic Negotiation
    The Semantics of Sibleyan Aesthetic Judgements
    A Framework for Aesthetic Expressions
    Value Judgements and Standards of Normative Assessment
    Against the Semantic Orientation towards Aesthetic Judgements
    We Really Shouldn't Be Having this Conversation: Rational Disengagement in Science and in Art

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