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  • Screening Neoliberalism – Transforming Mexican Cinema, 1988–2012: Transforming Mexican Cinema, 1988-2012

    Screening Neoliberalism – Transforming Mexican Cinema, 1988–2012 by Sánchez Prado, Ignacio M.;

    Transforming Mexican Cinema, 1988-2012

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      • Publisher's listprice GBP 80.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        38 220 Ft (36 400 Ft + 5% VAT)
      • Discount 10% (cc. 3 822 Ft off)
      • Discounted price 34 398 Ft (32 760 Ft + 5% VAT)

    38 220 Ft

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    Product details:

    • Publisher University of Chicago Press
    • Date of Publication 24 February 2026
    • Number of Volumes Hardback

    • ISBN 9780826519658
    • Binding Hardback
    • No. of pages304 pages
    • Size 254x177 mm
    • Weight 800 g
    • Language English
    • 700

    Categories

    Short description:

    Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound and has evolved in complex ways in recent years. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market.

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    Long description:

    Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema and the impact of globalisation. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability.

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