• Contact

  • Newsletter

  • About us

  • Delivery options

  • Prospero Book Market Podcast

  • Roman Comedy against the Subject

    Roman Comedy against the Subject by Telò, Mario;

    Series: Postclassical Interventions;

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 84.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        37 926 Ft (36 120 Ft + 5% VAT)
      • Discount 10% (cc. 3 793 Ft off)
      • Discounted price 34 133 Ft (32 508 Ft + 5% VAT)

    37 926 Ft

    db

    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP Oxford
    • Date of Publication 28 August 2025

    • ISBN 9780198920090
    • Binding Hardback
    • No. of pages272 pages
    • Size 225x145x20 mm
    • Weight 495 g
    • Language English
    • Illustrations 15 Illustrations
    • 616

    Categories

    Short description:

    This book integrates several critical-theoretical approaches including object-oriented ontology, queer theory, and feminist phenomenology to create a set of tools for de-familiarizing Roman comedy.

    More

    Long description:

    Roman Comedy against the Subject provides an expansive interpretation of four Roman comedies named after objects--Plautus's Cistellaria, Aulularia, and Rudens, and Terence's Eunuchus. In this book, the titular object provides an opportunity not to reconceive the relational politics of Roman comedy, but to conceive a different politics of familial and social relations with Roman comedy. Employing object-oriented ontology, psychoanalysis, queer theory, and Black critical theory, the book radically recasts perennial problems of Roman comedy and literature in general: the author, in relation to "mothering" (alternative maternities); character, in relation to neurodiversity; genre, in relation to sibling-like parentality; and the title itself, in relation to gendering and ungendering. Roman Comedy against the Subject explores the aesthetic and political possibilities of becoming object, of embracing "itness." Rather than assimilating objects to subjects or vital agents, the book finds emancipatory potential in renouncing the normative and intrinsically exclusionary subjecthood of "he," "she," and "they," markers of privilege that are burdened by the violence of humanization and often dehumanizing of others. The introduction features nine brief but acute readings of object-oriented modern dramas: Tennessee Williams's Glass Menagerie, Yukio Mishima's The Damask Drum, Eugène Ionesco's Les Chaises, and Alice Childress's String, among others.

    More

    Table of Contents:

    Introduction: Roman Comedy, Post-subjectivity, and Non-normative Relating
    The Basket and the Bond
    The Autistic P(l)ot
    Comedy on the Ropes
    Untitled
    Epilogue

    More
    0