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  • Rock Art and its Legacy in Myth and Art: Petroglyphs from Eurasia, Arabia and Northern Africa

    Rock Art and its Legacy in Myth and Art by Baumer, Christoph; Weber, Therese;

    Petroglyphs from Eurasia, Arabia and Northern Africa

      • GET 13% OFF

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      • Publisher's listprice GBP 30.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        14 805 Ft (14 100 Ft + 5% VAT)
      • Discount 13% (cc. 1 925 Ft off)
      • Discounted price 12 880 Ft (12 267 Ft + 5% VAT)

    14 805 Ft

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    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 13 November 2025
    • Number of Volumes Hardback

    • ISBN 9780755650446
    • Binding Hardback
    • No. of pages488 pages
    • Size 296x244x42 mm
    • Weight 2860 g
    • Language English
    • Illustrations 340 colour
    • 700

    Categories

    Long description:

    Rock art is mankind's oldest artistic expression. The first creation of rock carvings (petroglyphs) and rock paintings (pictographs) by Homo sapiens represented on multiple counts a quantum leap in mental performance.

    In Rock Art and its Legacy in Myth and Art Christoph Baumer tells the story of these remarkable creations of early human imagination in Eurasia, Arabia and the Sahara. Petroglyphs not only reflect societal and economic adaptations to climate changes but also encapsulate the worldviews, myths and rituals that prevailed for tens of thousands of years, and even down to the present. In a final chapter the artist Therese Weber describes the work of contemporary artists from different cultures who engage with rock art and introduces her own work which is inspired by her exploration of petroglyphs. Vividly illustrated throughout with 340 full colour images and 10 maps, this book is a celebration of the legacy of petroglyphs as a means of expression and of recording events and coded messages, as well as a source of inspiration for modern-day artists.

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    Table of Contents:

    I.Introduction
    II.Frame of research, scope, methods and context
    1.The conceptual grid: Climate, economy and beliefs
    2.Making and dating of petroglyphs
    3.Documenting petroglyphs
    4.Threats and protection
    III.The interpretation of petroglyphs
    IV.Beyond petroglyphs
    1.Rock art in ancient handicrafts and tattooing
    2.The reception of rock art in modern and contemporary art
    V.Rock art by major regions
    1Central Asia (Mongolia, Minusinsk Basin, Xinjiang, Kazakhstan, Kyrgyzstan, Tajikistan)
    2Himalaya and Karakoram (Ladakh, Gilgit)
    3Caucasus (Azerbaijan, Armenia)
    4Europe (Karelia, Scandinavia, Italian Alps)
    5Arabia (Saudi Arabia, Jordan)
    6Sahara
    VI.Conclusions
    Appendices
    Endnotes
    Bibliography
    Indices
    Photo credits
    Acknowledgements

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