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  • Rethinking Film Festivals in the Pandemic Era and After

    Rethinking Film Festivals in the Pandemic Era and After by de Valck, Marijke; Damiens, Antoine;

    Series: Framing Film Festivals;

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      • Publisher's listprice EUR 42.79
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    Product details:

    • Edition number 1st ed. 2023
    • Publisher Springer International Publishing
    • Date of Publication 5 January 2023
    • Number of Volumes 1 pieces, Book

    • ISBN 9783031141737
    • Binding Paperback
    • See also 9783031141706
    • No. of pages342 pages
    • Size 210x148 mm
    • Weight 476 g
    • Language English
    • Illustrations XIX, 342 p. 19 illus., 15 illus. in color. Illustrations, black & white
    • 426

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    Long description:

    This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.


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    Table of Contents:

    Chapter ​1: What Happens When Festivals Can’t Happen?.- Part I: Contaminated Circuits: Covid-19 and the Festival Ecosystem.- Chapter 2: Stopping the Flow: Film Circulation in the Festival Ecosystem at a Moment of Disruption.- Chapter 3: Scarcity, Ubiquity, and the Film Festival After Covid.- Chapter 4: Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals.- Chapter 5: Film Festivals on the Small Screen: Audiences, Domestic Space, and Everyday Media.- Chapter 6: Finding Allies in Pandemic Times: Documentary Film Festivals and Streaming Platforms.- Chapter 7: Chilean Film Festivals and Local Audiences: Going Online?.- Part II: Experimenting on the Frontlines: Innovative Responses to the Crisis.- Chapter 8: Vidéo de Femmes Dans le Parc: Feminist Rhythms and Festival Times Under Covid.- Chapter 9: Curating Our Own Space: A Conversation on Online Queer Film Exhibition and Adult Queer Cinema.- Chapter 10: Cinephilia, Publics, Cinegoraphilia: Surveying the ShortTerm Effects of Covid-19 on Community-Based Festivals in Toronto.- Chapter 11: Film Festivals in Taiwan: Lurking on the Periphery.- Chapter 12: Precarity, Innovation, and Survival in the Indian Film Festival Sector.- Chapter 13: Curating as Care: La Semaine de la Critique and the Marrakech International Film Festival in the Age of Covid-19.- Part III: Never Waste a Good Crisis: (Re)imagining Festivals After the Pandemic.- Chapter 14: Toward Decolonized Film Festival Worlds.- Chapter 15: Festivals, Covid-19, and the Crisis of Archiving.- Chapter 16: Greening Film Festivals.

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