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    Restless Infections: Public Art and a Transforming City

    Restless Infections by Pather, Jay;

    Public Art and a Transforming City

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      • Publisher's listprice GBP 27.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

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    14 165 Ft

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    Product details:

    • Publisher Wits University Press
    • Date of Publication 1 June 2025
    • Number of Volumes Print PDF

    • ISBN 9781776149452
    • Binding Paperback
    • No. of pages264 pages
    • Size 234x156 mm
    • Weight 666 g
    • Language English
    • Illustrations 35 b/w images Illustrations, color
    • 700

    Categories

    Short description:

    Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks, addressing diverse forms of expression, such as performances, immersive installations, film, and online performances.

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    Long description:

    Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.

    The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa?s re-imagining of township alleyways for public encounters and Mbongeni Mtshali?s study of everyday performances that challenge colonial and neo-colonial spatial organization.

    The title, Restless Infections, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. This restlessness is tied to a desire for economic and political stability, expressed through transient art forms like Santu Mofokeng?s billboard photography.

    The book shifts the focus of public art discourse in South Africa from static forms like monuments and statues to dynamic, temporary interventions that question the concept of publicness. These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.

    As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.

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