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  • Rebecca

    Rebecca by White, Patricia;

    Series: BFI Film Classics;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 12.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        6 574 Ft (6 261 Ft + 5% VAT)
      • Discount 20% (cc. 1 315 Ft off)
      • Discounted price 5 259 Ft (5 009 Ft + 5% VAT)

    6 574 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher British Film Institute
    • Date of Publication 6 May 2021
    • Number of Volumes Paperback

    • ISBN 9781911239437
    • Binding Paperback
    • No. of pages120 pages
    • Size 188x134x12 mm
    • Weight 180 g
    • Language English
    • Illustrations 58 bw illus
    • 201

    Categories

    Short description:

    Patricia White's study of Hitchcock's classic gothic romance draws on archival research to provide a rich analysis of the film's production and reception history and a reading of its queer erotics, and will form part of the BFI Film Classics series.

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    Long description:

    The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.' Patricia White takes the theme of return as her starting point for an exploration of the film's enduring power. Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women's contributions.

    White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around 'I' (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. Her discussion of the film's afterlives emphasizes the lasting aesthetic impact of this dark masterpiece of memory and desire, while her attention to its remakes and sequels speaks to the ongoing relevance of its vision of gender and power.

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    Table of Contents:

    1. Introduction
    2. Production and release history
    3. 'Rebecca' the novel
    4. 'Rebecca' the film
    5. Reception and film criticism
    6. The afterlives of 'Rebecca'

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