Reading Early Modern Women's Writing
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Product details:
- Publisher OUP Oxford
- Date of Publication 30 November 2006
- ISBN 9780199261048
- Binding Hardback
- No. of pages256 pages
- Size 240x160x20 mm
- Weight 528 g
- Language English
- Illustrations 1 b/w halftone 0
Categories
Short description:
Most people, even within the area of English literature, are unaware of how much writing women produced in the sixteenth and seventeenth centuries. This book offer a clear, coherent outline of that writing, and also looks at how it was read and reproduced through succeeding centuries down to the present day.
MoreLong description:
This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.
The reading Salzman has undertaken for this project is very comprehensive: he helpfully corrects the mistakes in the literature, a process that happens rather too rarely in critical works.
Table of Contents:
Introduction: Were They That Name? Categorizing Early Modern Women's Writing
The Scope of Early Modern Women's Writing
Poets High and Low, Visible and Invisible
Mary Wroth: From Obscurity to Canonization
Anne Clifford: Writing a Family Identity
Prophets and Visionaries
Margaret Cavendish and Lucy Huchinson: Authorship and Ownership
Saint and Sinner: Katherine Philips and Aphra Behn
Conclusion