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  • Racial Experiments in Cuban Literature and Ethnography

    Racial Experiments in Cuban Literature and Ethnography by Maguire, Emily A.;

      • GET 10% OFF

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      • Publisher's listprice GBP 62.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        29 620 Ft (28 210 Ft + 5% VAT)
      • Discount 10% (cc. 2 962 Ft off)
      • Discounted price 26 658 Ft (25 389 Ft + 5% VAT)

    29 620 Ft

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    Product details:

    • Publisher University Press of Florida
    • Date of Publication 30 November 2011
    • Number of Volumes Hardback

    • ISBN 9780813037479
    • Binding Hardback
    • No. of pages192 pages
    • Size 231x157x27 mm
    • Weight 468 g
    • Language English
    • Illustrations Notes, bibliography, index.
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    Short description:

    In this breakthrough study, Emily Maguire examines how a cadre of writers re-imagined Cuba and re-valorized Afro-Cuban culture through a textual production that incorporated elements of the ethnographic with the literary.

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    Long description:

    In the wake of independence from Spain in 1898, Cuba’s intellectual avant-garde struggled to cast their country as a modern nation. They grappled with the challenges presented by the postcolonial situation in general and with the location of blackness within a narrative of Cuban-ness in particular.

    In this breakthrough study, Emily Maguire examines how a cadre of writers re-imagined the nation and re-valorized Afro-Cuban culture through a textual production that incorporated elements of the ethnographic with the literary. Singling out the work of Lydia Cabrera as emblematic of the experimentation with genre that characterized the age, Maguire constructs a series of counterpoints that place Cabrera’s work in dialogue with that of her Cuban contemporaries—including Fernando Ortiz, Nicolás Guillén, and Alejo Carpentier. An illuminating final chapter on Cabrera and Zora Neale Hurston widens the scope to contextualize Cuban texts within a hemispheric movement to represent black culture.

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