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  • Pub Rock in the UK and Australia: From the 1970s to the Twenty-First Century

    Pub Rock in the UK and Australia by Bennett, Andy; Stratton, Jon;

    From the 1970s to the Twenty-First Century

    Series: Ashgate Popular and Folk Music Series;

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
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    69 273 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 19 November 2025

    • ISBN 9781032194622
    • Binding Hardback
    • No. of pages208 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 6 Illustrations, black & white; 6 Halftones, black & white
    • 700

    Categories

    Short description:

    This book critically examines two versions of the genre identified as pub rock as they evolved in the UK and Australia. Both evolved in the communal spaces of pubs and both had their heyday in the mid-to-late 1970s.

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    Long description:

    This book critically examines two versions of the genre identified as pub rock as they evolved in the UK and Australia. Both developed in the communal spaces of pubs and both had their heyday in the mid‑ to‑late 1970s. Indeed, the two have so much in common that AC/DC, sometimes thought of as the quintessential Australian pub rock group, became hugely popular in the UK, while other Australian groups such as the Sports, outliers of pub rock, also had success there. At the same time UK pub rockers like Graham Parker and the Rumour and Rockpile toured Australia. Three of Parker’s albums climbed to higher places on the Australian chart than on the UK chart. However, a great deal separated the two genres. In the UK, pub rock is often misleadingly viewed as the insipid music which was violently replaced by the uproarious and rebellious punk sounds of Sex Pistols, the Clash, the Slits and the other do-it-yourself groups of 1977 and later. Many members of groups later identified as punk, including Sex Pistols and the Clash, had previously played in groups identified as pub rock. In Australia, pub rock, played by groups including Billy Thorpe and the Aztecs, the Angels and Rose Tattoo, formed the basis for the mainstream guitar rock sound that dominated Australian popular music through the 1980s and into the 1990s. This book makes a valuable contribution to cultural sociology, popular music and cultural studies.

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    Table of Contents:

    Introduction: Pub Rock in the UK and Australia  Section 1: The UK  1. We’re Going Down the Pub!! The Importance of ‘Pub Rock’ Bands in the Creation of Cultural Space for Punk to Emerge in London in the 1970s  2. If It Ain’t …. Stiff, Chiswick and Pub Rock Records  3. Baby Why Do You Treat Me This Way? The Evolving Role of Women, From Pub Rock to Punk (UK, 1970s)  4. Post-Industrial Sounds of the City: The Pub Music Scenes of Leeds in the 1970s and 1980s  5. Trick of the Tale: Pub rock, punk, genre and myth in London and Glasgow in the 1970s  6. The Legacy of the London Pub Rock Scene Section 2: Australia  7. Vanda and Young and the English Sound of Oz Rock in Sydney  8. Slightly-soiled Wave: British Pub Rock and Australian New Wave  9. Coming from the Wrong Side of the Road: Aboriginal Pub Rock in Australia  10.  Women in Oz Rock: The Forgotten Larrikins  11.  “There’s gonna be a showdown”: Australian Pub Rock in the 1980s to Early 90s  12.  Amyl and the Sniffers: Authenticity, Class and Gender in the Australian Pub Rock Revival


     



     

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