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Product details:
- Edition number 1st ed. 2017
- Publisher Springer International Publishing
- Date of Publication 16 November 2017
- Number of Volumes 1 pieces, Book
- ISBN 9783319646077
- Binding Hardback
- No. of pages295 pages
- Size 210x148 mm
- Weight 5056 g
- Language English
- Illustrations XVI, 295 p. 22 illus., 19 illus. in color. Illustrations, black & white 0
Categories
Long description:
This volume brings together international scholars to engage in the question of how film has represented a figure that for many is simply labelled ‘prostitute’. The prostitute is one of the most enduring female figures. She has global historical resonance and stories, images and narratives surrounding her, and her experiences, circulate transnationally. As this book will explore, the broad term prostitute can cover a variety of experiences and representations that are both repressive and also have the potential to empower women and disrupt cultural expectations. The contributors aim to consider how frequently 19th-century narratives of female prostitution—hence the label ‘fallen women’—are still recycled in contemporary visual contexts, and to understand how widespread, and in what contexts, the destigmatization of female sex work is underway on screen.
MoreTable of Contents:
1. Danielle Hipkins and Kate Taylor-Jones, Introduction.- 2. Jane Arthurs, Distant Suffering, Proper Distance: Cosmopolitan ethics in the film portrayal of trafficked women.- 3. Alice Bardan, “Through Hardships To the Stars”: The Moldovan prostitute in Nicolae Margineanu’s Schimb Valutar.- 4. Adam Bingham, Duality and Ambiguity: Prostitution, performance and the vagaries of modernity in Japanese cinema.- 5. Molly Hyo Kim, The Idealization of Prostitutes: Aesthetics and discourse of South Korean hostess films (1974-1982).- 6. Saheed Aderinto, Inside the “House of Ill Fame”: Brothel prostitution, feminization of poverty, and Lagos life in Nollywood’s The Prostitute.- 7. Niamh Thornton, Where Cabaret Meets Revolution: The prostitute at war in Mexican film.- 8. Teresa Ludden, Distorted Antigones: Dialectics and prostitution in Lola and Shirins Hochzeit.- 9. Aparna Sharma, Becoming and Contradiction in the Muslim Courtesan — The case of Pakeezah.- 10. Danielle Hipkins and Katharine Mitchell, Le traviate: Suffering heroines and the Italian state between the 19th and 21st centuries.- 11. Katie N. Johnson, Consumptive Chic: The postfeminist recycling of Camille in Baz Luhrmann’s Moulin Rouge!.- 12. Fiona Handyside, Postcards and/of Prostitutes: Circulating the city in Atom Egoyan’s Chloe.- 13. Kate Taylor-Jones, Handbags, Sex and Death: Prostitution in contemporary East Asian cinematic urban space.
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