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  • Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception

    Postcolonial Bollywood and Muslim Identity by Khatun, Nadira;

    Production, Representation, and Reception

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      • Publisher's listprice GBP 83.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        39 653 Ft (37 765 Ft + 5% VAT)
      • Discount 10% (cc. 3 965 Ft off)
      • Discounted price 35 688 Ft (33 989 Ft + 5% VAT)

    39 653 Ft

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 11 July 2024

    • ISBN 9780198891017
    • Binding Hardback
    • No. of pages304 pages
    • Size 216x140 mm
    • Weight 10 g
    • Language English
    • 528

    Categories

    Short description:

    The book captures the changing image of Muslims in popular Bollywood films through seven decades. Khatun argues that such cinematic representation has always been informed by the country's contemporary political landscape, a largely Hindu-dominant discourse.

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    Long description:

    The book joins a growing scholarship in the field of Bollywood film studies, encompassing methodological sub-groups such as discursive or narrative studies, textual analysis, audience research, and the political economy of Bollywood. It particularly focuses on the representation of Muslims in postcolonial Bollywood cinema that draws upon earlier questions and concerns about narrative style and the politics of representing Muslims. It also includes issues concerning Muslim film genres and the chronological shift in the portrayal of Muslims that is contingent upon national politics. In Bollywood cinema, Muslims have traditionally been portrayed through the lens of religion. Narratives associated with that specific religious identity have been adapted, based on the socio-political setting of the country at the time of the film's making. The study, thus, adds to scholarship on 'representation' in popular Hindi cinema.

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    Table of Contents:

    List of Figures
    List of Abbreviations
    Preface
    Acknowledgements
    Introduction
    Role of Muslims in Filmmaking
    Muslim Historical genre and Muslims in Historical Genre: From Diplomat Warriors to Barbarian Outsiders
    The Muslim Social Genre: From Exotic Exclusive to Ordinary Inclusive
    The Muslim Political Genre: From Anti-Pakistani Jingoism to Islamophobia
    The Muslim Modern Genre: From Allegiant to Secular
    Epilogue: The Representation of the 'Other'
    Appendix - I: Interview Schedule / Questionnaire
    Appendix - II: List of Movies Forming the Universe of the Study
    Appendix - III: Demographic / Brief Bio. of the Participents
    References
    Index

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