Perspectives on Contemporary Music Theory
Essays in Honor of Kevin Korsyn
Series: Routledge Research in Music;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 31 July 2023
- ISBN 9781032413723
- Binding Hardback
- No. of pages362 pages
- Size 234x156 mm
- Weight 830 g
- Language English
- Illustrations 130 Illustrations, black & white; 115 Halftones, black & white; 15 Line drawings, black & white; 5 Tables, black & white 483
Categories
Short description:
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.
MoreLong description:
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics.
This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.
MoreTable of Contents:
Introduction
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert’s ‘Der blinde Knabe’
Chapter 2. Rethinking Self-referentiality in Schubert’s Setting of Platen’s ‘Die Liebe hat gelogen,’ D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach’s Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin’s Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl’s ‘Ballet’ Olympia
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