• Contact

  • Newsletter

  • About us

  • Delivery options

  • Prospero Book Market Podcast

  • Performing Arts and Gender in Postcolonial Western Uganda

    Performing Arts and Gender in Postcolonial Western Uganda by Cimardi, Linda;

    Series: Eastman/Rochester Studies Ethnomusicology; 14;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 26.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        12 894 Ft (12 280 Ft + 5% VAT)
      • Discount 20% (cc. 2 579 Ft off)
      • Discounted price 10 315 Ft (9 824 Ft + 5% VAT)

    12 894 Ft

    db

    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Boydell & Brewer Ltd
    • Date of Publication 19 August 2025
    • Number of Volumes Print PDF

    • ISBN 9781648250729
    • Binding Paperback
    • No. of pages302 pages
    • Size 228.6x152.4 mm
    • Weight 666 g
    • Language English
    • Illustrations 12 music exx. and 36 b/w illus.
    • 688

    Categories

    Short description:

    Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda.

    More

    Long description:

    Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender binary that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Moving between analysis of historical recordings, oral accounts, and present-day fieldwork data and experiences, the book engages in a comprehensive analysis of the postcolonial entanglement of arts and gender. Audio and video recordings presented in the book can be accessed on the book's companion website, http://hdl.handle.net/1802/37373.

    More

    Table of Contents:

    "List of Illustrations Foreword by Samuel Kahunde Acknowledgments Note on Language Note on the Musical Examples Note on Online Audio and Video Material Prelude: Encountering Local Culture in Western Uganda Introduction: Approaching Gender and Performing Arts in Bunyoro and Tooro 1. ""Traditional Dance Preserves Culture and Shows People How to Behave"": Runyege, MDD, and Gender 2. Singing Marriage, Runyege, and Labor 3. ""Women Aren't Supposed to"": Instrument Playing in the Past and Today 4. Shaking the Hips, Stamping the Feet: The Runyege Dance 5. Narrating and Representing Local Culture: Theater in Songs and Dances 6. Trans-Performing and Morality in Cultural Groups Postlude: Gendering Culture Appendix I. Glossary of Terms in Runyoro-Rutooro Appendix II. Historical Recordings from Bunyoro and Tooro Author's Interviews References Index"

    More