Oxford Anthology of the Brazilian Short Story
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Product details:
- Publisher OUP USA
- Date of Publication 31 August 2006
- ISBN 9780195167597
- Binding Hardback
- No. of pages542 pages
- Size 160x234x35 mm
- Weight 879 g
- Language English 0
Categories
Short description:
The short story has a long rich history in Brazil, and this anthology collects the best examples from the last 125 years. The collection is edited by a leading authority in the field who has provided a critical introduction.
MoreLong description:
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry.
The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.
A reader looking for a concise introduction to Brazilian literature will find it in this remarkable assemblage of texts, while those well acquainted with the tradition will find works that would be very difficult, or even impossible, to access otherwise. Jackson writes with rigour and clarity, and the links he establishes between the diverse texts, writers and periods constitute an excellent brief course on the development and significance of Brazilian literature.
