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    Openings: Narrative Beginnings from the Epic to the Novel

    Openings by Nuttall, A. D.;

    Narrative Beginnings from the Epic to the Novel

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      • Publisher's listprice GBP 55.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        24 832 Ft (23 650 Ft + 5% VAT)
      • Discount 10% (cc. 2 483 Ft off)
      • Discounted price 22 349 Ft (21 285 Ft + 5% VAT)

    24 832 Ft

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    printed on demand

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Clarendon Press
    • Date of Publication 2 April 1992

    • ISBN 9780198117414
    • Binding Hardback
    • No. of pages266 pages
    • Size 225x141x20 mm
    • Weight 465 g
    • Language English
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    Long description:

    What is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously `read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever they like. The ancient poet Homer laid down a rule for his successors when he began his epic by plunging in medias res, `into the midst of things'. Later writers, however, persistently play off the `interventionist', in medias res opening against some sense of a `deep', natural beginning: Genesis or the birth of a child. The author also outlines how the inspiring Muse of epic gives way to the poet's ego, dies, revives and dies again.

    Ranging from Greek and Roman epic to the modern novel via Dante, Milton, Wordsworth, Sterne and Dickens, A. D. Nuttall has written an ambitious and original book which will be of interest to a wide variety of readers.

    `This is a subtle account of the relationship between art and ontology. Its gusto, if not always free from self-indulgence, exerts a continuous grip on the reader's attention.'
    A Journal of English Language and Literature, Vol 74, No 6 (Dec 1993)

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