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    On Contemporaneity, after Agamben: The Concept and its Times

    On Contemporaneity, after Agamben by Baross, Zsuzsa;

    The Concept and its Times

      • Publisher's listprice GBP 34.95
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        17 688 Ft (16 845 Ft + 5% VAT)

    17 688 Ft

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    Why don't you give exact delivery time?

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    Product details:

    • Publisher Liverpool University Press
    • Date of Publication 1 March 2024

    • ISBN 9781845199920
    • Binding Paperback
    • No. of pages160 pages
    • Size 229x152 mm
    • Weight 246 g
    • Language English
    • Illustrations Illustrated
    • 583

    Categories

    Long description:

    Who are our contemporaries today? Alain Badiou, Jean-Luc Nancy, or Giorgio Agamben, or the already neglected Althusser or Lacoue-Labarthe? From among the thinkers of the last great generation of the past century, who are the precursors whose voice is strong enough to speak to our present today? when the nature of time itself is uncertain: a time of mutation (Nancy), a change of epoch (Blanchot), an epoch without an epoch (Stiegler), or more catastrophically, the time of the geocide (Deguy)? Is it Bataille (Inner Experience) or Blanchot (The Writing of the Disaster) who anticipates the future that is already our present? Or Derrida who announced the unsurpassable dilemma of the law of hospitality? Announced a future to be presented only as a monstrosity? Or is it rather Deleuze, whose geo-philosophy already dispenses with the subject, privileges matter over spirit, and subordinates the great movements of peoples and animals of history and revolution, the political and the social as relative to the de- re-territorializing powers of the forces of the Earth? Or again, is it not philosophy but rather art that measures up to the intensity of the forces pressing against us in the present? The exhausted prose of Beckett, the broken verse of Celan? The stammer of Artaud? These are some of the questions that animate the writing in the aftermath of Agamben's influential essay What is the Contemporary?

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