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  • Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century

    Not Shakespeare by Schoch, Richard W.;

    Bardolatry and Burlesque in the Nineteenth Century

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      • Publisher's listprice GBP 42.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

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    20 065 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number New ed
    • Publisher Cambridge University Press
    • Date of Publication 2 November 2006

    • ISBN 9780521031523
    • Binding Paperback
    • No. of pages224 pages
    • Size 233x154x12 mm
    • Weight 325 g
    • Language English
    • Illustrations 24 b/w illus.
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    Categories

    Short description:

    This is a study of nineteenth-century Shakespeare burlesques.

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    Long description:

    Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the nineteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in this study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies.

    '... this book clearly establishes its author in the foremost rank of scholars of the Victorian stage ... Schoch's edition is a tremendously useful supplement to current awareness of the variety of Victorian theatrical forms ...' Theatre Notebook

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    Table of Contents:

    List of illustrations; Acknowledgments; Note on texts; Introduction: 'New Readings for Unconventional Tragedians'; 1. 'Vile beyond endurance' : the language of burlesque; 2. Shakespeare's surrogates; 3. Shakespeare in Bohemia; 4. Politics 'burlesquified'; Bibliography; Index.

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