Product details:
ISBN13: | 9781496215529 |
ISBN10: | 1496215524 |
Binding: | Hardback |
No. of pages: | 252 pages |
Size: | 229x152 mm |
Weight: | 558 g |
Language: | English |
Illustrations: | 21 photographs, index |
167 |
Category:
National Pastimes
Cinema, Sports, and Nation
Series:
Sports, Media, and Society;
Publisher: University of Nebraska Press
Date of Publication: 1 January 2020
Number of Volumes: Cloth Over Boards
Normal price:
Publisher's listprice:
GBP 45.00
GBP 45.00
Your price:
19 562 (18 630 HUF + 5% VAT )
discount is: 10% (approx 2 174 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
Not in stock at Prospero.
Short description:
Katharina Bonzel unravels the delicate matrix of national identity, sports, and emotion through the lens of popular sports films in comparative national contexts.
Katharina Bonzel unravels the delicate matrix of national identity, sports, and emotion through the lens of popular sports films in comparative national contexts.
Long description:
Sports have long fascinated filmmakers from Hollywood and beyond, from Bend It Like Beckham to Chariots of Fire to Rocky. Though sports films are diverse in their approach, style, and storytelling modes, National Pastimes discloses the common emotional and visual cues that belie each sports film’s underlying nationalistic impulses. Katharina Bonzel unravels the delicate matrix of national identity, sports, and emotion through the lens of popular sports films in comparative national contexts, demonstrating in the process how popular culture provides a powerful vehicle for the development and maintenance of identities of place across a range of national cinemas.
As films reflect the ways in which myths of nation and national belonging change over time, they are implicated in important historical moments, from Cold War America to the class dynamics of 1980s Thatcherite Britain to the fragmented sense of nation in post-unification Germany. Bonzel shows how sports films provide a means for renegotiating the boundaries of national identity in an accessible, engaging form. National Pastimes opens up new ways of understanding how films appeal to the emotions, using myth-like constructions of the past to cultivate spectators’ engagement with historical events.
As films reflect the ways in which myths of nation and national belonging change over time, they are implicated in important historical moments, from Cold War America to the class dynamics of 1980s Thatcherite Britain to the fragmented sense of nation in post-unification Germany. Bonzel shows how sports films provide a means for renegotiating the boundaries of national identity in an accessible, engaging form. National Pastimes opens up new ways of understanding how films appeal to the emotions, using myth-like constructions of the past to cultivate spectators’ engagement with historical events.
“Bonzel’s book joins Bruce Babington’s The Sports Film: Games People Play (2014) as an important book-length critical treatment of this film genre.”—S. C. Dillon, Choice
Table of Contents:
List of Illustrations
Acknowledgments
Introduction
1. “Let Us Praise Famous Men”: Creating Myth and Memory in Chariots of Fire
2. Unifying Germany: The Miracle of Bern and National Identity
3. Anxious in America: Rocky Balboa and the American Dream
4. Small Towns, Big Dreams: American Pastoral, Race, and the Sports Film
5. Gendering the Nation: The “Hero Other” in Sports Films
Conclusion
Notes
Bibliography
Index
Acknowledgments
Introduction
1. “Let Us Praise Famous Men”: Creating Myth and Memory in Chariots of Fire
2. Unifying Germany: The Miracle of Bern and National Identity
3. Anxious in America: Rocky Balboa and the American Dream
4. Small Towns, Big Dreams: American Pastoral, Race, and the Sports Film
5. Gendering the Nation: The “Hero Other” in Sports Films
Conclusion
Notes
Bibliography
Index