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  • Narrative, Affect and Victorian Sensation: Wilful Bodies

    Narrative, Affect and Victorian Sensation by MacDonald, Tara;

    Wilful Bodies

    Series: Nineteenth-Century and Neo-Victorian Cultures;

      • GET 8% OFF

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      • Publisher's listprice GBP 19.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        9 550 Ft (9 095 Ft + 5% VAT)
      • Discount 8% (cc. 764 Ft off)
      • Discounted price 8 786 Ft (8 367 Ft + 5% VAT)

    9 550 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Edinburgh University Press
    • Date of Publication 1 May 2025
    • Number of Volumes Print PDF

    • ISBN 9781399522205
    • Binding Paperback
    • No. of pages232 pages
    • Size 234x156 mm
    • Language English
    • 658

    Categories

    Short description:

    Positions the sensation novel, and nineteenth-century popular fiction more generally, as vital to the history of feeling

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    Long description:

    Narrative, Affect, and Victorian Sensation: Wilful Bodies argues that Victorian sensation novels – long dismissed as plot-driven, silly, and feminine – develop complex theories of narrative affect, our embodied responses to reading, imagining, and even writing a narrative. The popular sensation novel thus should be understood as a key contribution to the novel’s assessment of its own workings, especially the ways in which reading and writing figure as affective acts. Additionally, the book radically expands the field of sensation fiction, taking seriously lesser-known female authors, and reading them alongside a range of writers not typically considered sensational. These novels insist that feelings are not bound to a single body and that bodies generate meaning when they are put in relation to other bodies and systems of knowledge.

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    Table of Contents:

    Acknowledgements

    Series Preface

    Preface: Centring Sensationalism

    Introduction: Hyperrealism and Victorian Affects

    1. Immersive Reading and Sensational Emplotment

    2. Morbidity and Sensational Authorship

    3. Privacy and ‘Public Feeling’ in Salem Chapel and Armadale

    4. Crowds and Bodily Sympathy in Wood and Clive

    5. Collins, Hardy and Reade’s Sympathetic Doubles

    Coda: The Affective Pleasures of Reading and Not Reading

    Works Cited

    Index

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