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  • Nakanishi Natsuyuki and the Global History of Postwar and Contemporary Sculpture: Accounting for Assemblage

    Nakanishi Natsuyuki and the Global History of Postwar and Contemporary Sculpture by Adler, Dan;

    Accounting for Assemblage

    Series: Routledge Research in Art History;

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      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 982 Ft (66 650 Ft + 5% VAT)
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    62 984 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 April 2026

    • ISBN 9781032859637
    • Binding Hardback
    • No. of pages216 pages
    • Size 246x174 mm
    • Weight 560 g
    • Language English
    • Illustrations 102 Illustrations, color; 102 Halftones, color
    • 700

    Categories

    Short description:

    The first book-length study of Nakanishi Natsuyuki’s sculptural practice, this volume explores his assemblages in dialogue with the postwar history of sculpture as a global phenomenon in the 1960s and beyond.

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    Long description:

    As the first book-length study of Nakanishi Natsuyuki’s sculptural practice, this volume explores his assemblages in dialogue with the postwar history of sculpture as a global phenomenon in the 1960s and beyond.


    Nakanishi’s series of Compact Objects (produced from 1962 to 1968) allow for a reconsideration of the role of assemblage within cultural tendencies of the postwar and contemporary periods, both within and without Japan. This role forefronts the concepts of intimacy and interactivity—as well as ritual and process—within the context of sculptural experience. Nakanishi’s critique of consumerism and conformity within these works—along with his experimentation with new plastic technologies—allows for a comparative treatment that includes a variety of movements and tendencies in Japan, Europe, and the US, including Minimalism, Fluxus, Neo-Dada, and Nouveau réalisme, among others. The final portions of the book offer a wider and global context of postwar and contemporary tendencies towards assemblage, including an in-depth study of a multisensory exhibition by Yuko Mohri, held at the Venice Biennale in 2024.


    The book will be of interest to scholars working in art history, contemporary art, and Japanese studies.

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    Table of Contents:

    Prologue 1. Hold an Egg 2. Eggs in Compact Constellation 3. Eggs Uncompacted 4. Eggs in 1968 5. Eggs in 1965-66 6. No More Eggs 7.Assemblage in an Expanded Field

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