Musical Portraits
The Composition of Identity in Contemporary and Experimental Music
- Publisher's listprice GBP 88.00
-
42 042 Ft (40 040 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 204 Ft off)
- Discounted price 37 838 Ft (36 036 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
42 042 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 1 February 2018
- ISBN 9780190653507
- Binding Hardback
- No. of pages200 pages
- Size 152x236x22 mm
- Weight 386 g
- Language English
- Illustrations 6 line, 19 halftone 160
Categories
Short description:
Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and György Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.
MoreLong description:
Joshua S. Walden's Musical Portraits: The Composition of Identity in Contemporary and Experimental Music explores the wide-ranging but under-examined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers' self-portraits, the book considers how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. Examining a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, György Ligeti, and Virgil Thomson, and director Robert Wilson's on-going series of video portraits of modern-day celebrities and his "portrait opera" Einstein on the Beach, Musical Portraits contributes to the study of music since 1945 through a detailed examination of contemporary understandings of music's capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.
Walden's book is still to be highly commended, since its unique aim -- to show how music has depicted individuals throughout the twentieth and twenty-first centuries -- has certainly been achieved.
Table of Contents:
Introduction: Portraiture as a Musical Genre
Chapter 1: Musical and Literary Portraiture
Chapter 2: Musical Portraits of Visual Artists
Chapter 3: Listening in on Composers' Self-Portraits
Chapter 4: Celebrity, Music, and the Multimedia Portrait
Epilogue: Musical Portraiture, the Posthumous, and the Posthuman
Bibliography
