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  • Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio

    Music, Sound, and Technology in America by Taylor, Timothy D.; Katz, Mark; Grajeda, Tony;

    A Documentary History of Early Phonograph, Cinema, and Radio

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    Product details:

    • Publisher Duke University Press
    • Date of Publication 19 June 2012
    • Number of Volumes Cloth over boards

    • ISBN 9780822349273
    • Binding Hardback
    • No. of pages432 pages
    • Size 243x164x29 mm
    • Weight 771 g
    • Language English
    • Illustrations 20 illustrations
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    Long description:

    "

    This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners ""desirous of gaining more from music as presented by the radio."" Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.
    "

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    Table of Contents:

    General Introduction: Music Technologies in Everyday Life / Timothy D. Taylor 1
    Part 1. Sound Recording
    Introduction / Mark Katz 11
    Sound Recording: Readings 29
    Predictions 29
    The Listener and the Phonograph 44
    Learning to Listen 44
    The Phonograph in Everyday Life 48
    The Phonograph and Music Appreciation 65
    Men, Women, and Phonographs 70
    Music and the Great War 78
    Performers and the Phonograph 84
    In the Recording Studio 84
    The Phonograph and Music Pedagogy 94
    The Phonograph and the Composer 104
    The Composer in the Machine Age 104
    The Phonograph as a Compositional Tool 110
    Phonograph Debates 113
    Con 113
    Pro 126
    Part II. Cinema
    Introduction / Tony Grajeda 137
    Cinema: Readings 145
    Technologies of Sight and Sound 145
    Sounds of the Cinema: Illustrated Song Slides; The Role of the Voice (lecturers, actors); Incidental Musics, Special Effects, Ballyhoo, and Noise of the Audience 153
    Playing to the Pictures 173
    Performative Accompaniment 173
    The Organist of the Picture Palace 192
    Conducting and Scoring to the Movies 200
    Taste, Culture, and Educating the Public 212
    Responding to the Talkies 226
    Part III. Radio
    Introduction / Timothy D. Taylor 239
    Radio: Readings 255
    Radio as Dream, Radio as Technology 255
    Early Broadcasts: Performer and Listener Impressions 266
    Radio in Everyday Life 275
    Healing 279
    Economics of Radio Broadcasting 285
    Advertising 288
    Music on the Radio 301
    Con 301
    Pro 305
    What Do Listeners Want? 311
    Crooning 316
    Radio Behind the Scenes 324
    Getting on the Air 324
    Talent 340
    Production behind the Scenes 344
    Composing for the Radio 354
    How to Listen to Music on the Radio 361
    Notes 367
    References 387
    Index 399

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