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  • Music and Women of the Commedia dell'Arte in the Late-Sixteenth Century

    Music and Women of the Commedia dell'Arte in the Late-Sixteenth Century by MacNeil, Anne;

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      • Publisher's listprice GBP 210.00
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    100 327 Ft

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 16 January 2003

    • ISBN 9780198166894
    • Binding Hardback
    • No. of pages372 pages
    • Size 223x145x26 mm
    • Weight 655 g
    • Language English
    • Illustrations numerous halftones and music examples
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    Short description:

    Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. It provides a rich context for the study of musical-theatrical performance before the advent of opera and redefines our perceptions of women, music and theatre in the Renaissance.

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    Long description:

    Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. In its thorough integration of the fields of music history, theatre history, performance studies, women's studies and Classics, this is the first comprehensive analysis of the leading actresses of the Compagnia dei Gelosi and their contributions to the Renaissance stage. Including an extensive survey of documents concerning comedians, their patrons, colleagues and audiences, Music and the Commedia dell'Arte provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.

    Much of this is in evidence in Anne MacNeil's intriguing study of the Commedia dell'arte, a book that makes an important contribution to our understanding of musical theatre, gender and genre at the northern Italian courts just before and during opera's gestational period.

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    Table of Contents:

    Preface
    Prologue
    Turn About is Fair Play
    Behold, Now there are Amazons of Learning
    The Politics of Description
    Epilogue
    Library Sigla
    Chronology
    Transcriptions
    Bibliography
    Index

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