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  • Music and Sound in the Films of Dennis Hopper

    Music and Sound in the Films of Dennis Hopper by Naish, Stephen Lee;

    Series: Filmmakers and Their Soundtracks;

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      • Publisher's listprice GBP 21.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 14 September 2025

    • ISBN 9781032737683
    • Binding Paperback
    • No. of pages92 pages
    • Size 216x138 mm
    • Weight 170 g
    • Language English
    • Illustrations 10 Illustrations, black & white; 10 Halftones, black & white
    • 695

    Categories

    Short description:

    This book explores five of Hopper’s films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format.

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    Long description:

    Across his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative, signpost the era in which the films were made, and delineate the characters’ place within American culture. This book explores five of Hopper’s films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format.


    The author traces Hopper’s distinctive approach to the use of music through films from 1969 to 1990, including his innovative use of popular rock, pop, and folk in Easy Rider, his blending of diegetic performances of folk and Peruvian indigenous music in The Last Movie, his use of punk rock in Out of the Blue, incorporation of hip-hop and rap in Colors, and commissioning of a jazz/blues soundtrack by Miles Davis and John Lee Hooker for The Hot Spot. Uncovering the film soundtrack as a vital piece of the narrative, this concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper’s work.

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    Table of Contents:

    Introduction: Dennis Hopper in Context  1. Keeping It Cool: Easy Rider,The Rock Music Compilation Soundtrack and The Slow Death of the Sixties  2. Never-ending Daydream: Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer  3. Kill All Hippies: Punk Rock Rebellion, Elvis Presley, and Hippie “Burn Out” in Out of the Blue  4. Rebel Without a Pause: Rap and Hip Hop's Gang Affiliation, Popularity, and Battle with Authority in Colors  5. Blue Notes: Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot  Conclusion

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