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    Movies, Modernism, and the Science Fiction Pulps

    Movies, Modernism, and the Science Fiction Pulps by Telotte, J. P.;

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      • Publisher's listprice GBP 27.49
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

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    12 411 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 16 September 2019

    • ISBN 9780190949662
    • Binding Paperback
    • No. of pages200 pages
    • Size 155x231x15 mm
    • Weight 363 g
    • Language English
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    Short description:

    This book examines the impact that the new art of film had on another new form, science fiction, especially as it was embodied in the various pulp magazines where the genre first began to establish its identity and key themes. It argues that a film consciousness helped shape, even define 20th century science fiction.

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    Long description:

    What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.

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    Table of Contents:

    Chapter 1: Introduction: Science Fiction's "Composite" Project
    Chapter 2: The Pulps in the Consumer's Republic
    Chapter 3: The Real Thing: The Pulps Imagine Film
    Chapter 4: Convergence and the Rhetoric of Scientifilm
    Chapter 5: Cover Stories: Visualizing Film
    Chapter 6: Of War and Beyond
    Select Filmography of Early
    Bibliography
    Index

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