Moscow Conceptualism, 1975-1985
Words, Deeds, Legacies
- Publisher's listprice GBP 28.99
-
13 849 Ft (13 190 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 1 385 Ft off)
- Discounted price 12 465 Ft (11 871 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
13 849 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Visual Arts
- Date of Publication 11 December 2025
- Number of Volumes Paperback
- ISBN 9781350227903
- Binding Paperback
- No. of pages pages
- Size 234x156 mm
- Language English
- Illustrations 44 bw illus 700
Categories
Long description:
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history.
Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination.
Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world.
By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Table of Contents:
List of Illustrations
Acknowledgements
Introduction: Art to the Masses in an Era of Stagnation
1. Rereading Moscow Conceptualism
2. Words Worth a Thousand Pictures
3. Performative Words and Collaborative Deeds
4. Words and Worlds: Models for Moscow (Post) Conceptualism
Notes
Bibliography
Index
