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  • Milton Brown and the Founding of Western Swing

    Milton Brown and the Founding of Western Swing by Ginell, Cary;

    Series: Music in American Life; 561;

      • GET 10% OFF

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      • Publisher's listprice GBP 28.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 849 Ft (13 190 Ft + 5% VAT)
      • Discount 10% (cc. 1 385 Ft off)
      • Discounted price 12 465 Ft (11 871 Ft + 5% VAT)

    13 849 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher University of Illinois Press
    • Date of Publication 1 September 1994
    • Number of Volumes Hardback

    • ISBN 9780252020414
    • Binding Hardback
    • No. of pages374 pages
    • Size 229x152x28 mm
    • Weight 680 g
    • Language English
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    Long description:

    A few weeks before his death in an auto accident, Milton Brown and his band the Musical Brownies recorded forty-nine songs in a single three-day session. That prolific output was a testament to Brown's enormous popularity not only on record but as head of the premier touring act in the Southwest. Cary Ginell draws on interviews and his own musical knowledge to chart Brown's too-short career. Ginell sees Brown as the first key figure to merge blues, jazz, and country into the genre that artists like Bob Wills and Spade Cooley later popularized as Western Swing. Following Brown from his early years to his rise via the Fort Worth dance hall scene, Ginell traces the evolution of the singer-bandleader's musical innovations like adding vocals to dance music and his band's adoption of a style heavy with rhythm and blues. In 1936, Brown and his band stood at the brink of national stardom when Brown's car hit a telephone pole. He died five days later.

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