Middle Plays: The Collected Works of Thomas Heywood, Volume 3
Middle Plays
Series: Collected Works of Thomas Heywood;
- Publisher's listprice GBP 212.50
-
95 943 Ft (91 375 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 19 189 Ft off)
- Discounted price 76 755 Ft (73 100 Ft + 5% VAT)
- Discount is valid until: 30 June 2026
Subcribe now and take benefit of a favourable price.
Subscribe
95 943 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number and title :The Collected Works of Thomas Heywood, Volume 3
- Publisher OUP Oxford
- Date of Publication 15 December 2022
- ISBN 9780199679140
- Binding Hardback
- No. of pages512 pages
- Size 240x163x32 mm
- Weight 918 g
- Language English 262
Categories
Short description:
Thomas Heywood (c.1573-1641) was one of the most prolific and influential dramatists of the Elizabethan, Jacobean, and early Caroline theatre. This modern edition of his works establishes him as a major and seminal contributor to early modern English drama, poetry and prose. Volume 3 presents the five Age plays that he wrote to delight and teach.
MoreLong description:
Thomas Heywood (c.1573-1641), who claimed to have had 'an entire hand, or at least a maine finger' in two hundred and twenty plays, was one of the most prolific and influential dramatists of the Elizabethan, Jacobean, and early Caroline theatre. Heywood was also recognized in his own time as a master essayist, producing numerous prose tracts, miscellanies, treatises, pamphlets, and broadsides, and in them, to use his own terms, he 'dissected' and 'anatomised' the religious and political dilemmas of contemporary monarchs and their courts. As city poet and principal writer of pageants for the Lord Mayor's Day from 1631 to 1639, Heywood was in a unique position to celebrate civic governance and local policy. He also produced and circulated translations of ancient Greek and Latin texts, as well as writing his own poetry, and, uniquely, edited the plays and poems of his collaborators and contemporaries, often describing in detail in prefaces and epistles how these texts were transmitted from author to audience. In sum, he participated in, epitomised and helped to establish the entire range of author in the early modern age. This modern edition of his works makes him accessible to students, scholars, general readers, actors and directors and rightfully establishes him as a major and seminal contributor to early modern English drama, poetry and prose.
Heywood's motto was Aut prodesse solent aut delectare, adapted from the Ars Poetica of Horace and proclaiming the poet's purpose to produce profit and pleasure in his audience. Volume 3 of the edition, Middle Plays, features the five Age plays that he wrote to delight and teach. Heywood set himself the task to chronicle the entire range of classical myth, 'an entire history from Jupiter and Saturn to the utter subversion of Troy'. With ancient Homer acting as chorus (or master of ceremonies) in The Golden Age, The Silver Age, and The Brazen Age, Heywood takes his audiences from the Golden Age of Gods (who embody the worst of human faults) through the exploits of Hercules. The last two plays, The Iron Age, Parts I and II, focus on the carnage of the Trojan war and its aftermath. Redemption lies in the potential of a 'New Troy' in London and Rome. In these plays, Heywood reveals himself as a master of stagecraft, especially of pyrotechnics and flying entrances. His theatre is always exciting.
Table of Contents:
General Introduction
The Golden Age
The Silver Age
The Brazen Age
The Iron Age, Part I
The Iron Age, Part II
