Meter as Rhythm
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50 793 Ft
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Product details:
- Publisher OUP USA
- Date of Publication 26 June 1997
- ISBN 9780195100662
- Binding Hardback
- No. of pages328 pages
- Size 245x156x23 mm
- Weight 667 g
- Language English
- Illustrations numerous music examples 0
Categories
Short description:
In the past, theorists have separated metre from rhythm, seeing metre as a static grid and rhythm as a fluid grouping of notes and figures. Meter as Rhythm offers a new theory of metre in which metre and rhythm are no longer oppposed. Arguing against the mathematical and structuralist approaches to musical analysis, Hasty provides an alternative view which affirms the spontaneity and openness of musical experience as something fully temporal and processive, rather than as a mere container of rhythm. Combining speculative, psychological, and music-analytic perspectives and drawing on philosophers of process, Hasty integrates technical analytical details -- using examples from the early seventeenth century to mid-twentieth century - with larger aesthetic issues.
MoreLong description:
In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which metre is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of metre that engages diverse musical repertories and aesthetic issues.
The most thoroughgoing attempt I know to apply a phenomenological approach to music without giving up the specificity of interpretation we expect from professional music theory. Hasty's criticism is always measured, and he punctiliously takes opportunities to see the best side of the music under discussion.
