Medieval Saints and Modern Screens
Divine Visions as Cinematic Experience
Series: Knowledge Communities;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 1 December 2025
- ISBN 9781041182726
- Binding Paperback
- No. of pages304 pages
- Size 234x156 mm
- Language English 700
Categories
Short description:
By examining medieval female saints' lives in dialogue with modern film theories, a trans-historical spectrum of visual experience is revealed: medieval saint and modern moviegoer are connected in the visual act.
MoreLong description:
This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.
MoreTable of Contents:
Acknowledgements, List of Tables and Figures, Introduction: Ecstatic Cinema, Cinematic Ecstasy Chapter 1: Play / Pause / Rewind: Temporalities in Flux Chapter 2: The Caress of the Divine Gaze Chapter 3: The Xtian Factor, or How to Manufacture a Medieval Saint Chapter 4: My Avatar, My Soul: When Mystics Log On Conclusion: The Living Veronicas of Liège, Notes, Abbreviations, Bibliography
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