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Product details:
- Edition number 1
- Publisher De Gruyter
- Date of Publication 19 October 2026
- ISBN 9783110793932
- Binding Paperback
- No. of pages264 pages
- Size 240x170 mm
- Weight 500 g
- Language German
- Illustrations 65 Illustrations, color 700
Categories
Long description:
Andy Warhol begann Mitte der 1960er Jahre, Tapete als künstlerisches Medium zu verwenden. Trotz der intensiven Forschung zu seinem Werk wurde dieser Bereich seines Œuvres bisher kaum untersucht oder diskutiert. Das Buch nimmt diese vermeintlich marginale Werkgruppe zum Ausgangspunkt, um zentrale Umbrüche in Warhols künstlerischer Produktion neu zu betrachten: Sowohl für den Wandel vom erfolgreichen Grafiker zum Pop Künstler als auch für Warhols Bezug zur Malerei spielten Innenraumgestaltung und Tapete eine wesentliche Rolle. Das massenhaft reproduzierbare, billige Medium der Tapete ermöglichte Warhol, die seriöse, heteronorm-männlich geprägte Domäne der Malerei umzudeuten. Diese medialen Besonderheiten korrespondieren mit seiner Selbstinszenierung als Künstler, der durch queere Verkleidungsstrategien gezielt Mehrdeutigkeiten produzierte.
- Erste Monografie zu Andy Warhols Tapeten
- Neue Erkenntnisse durch Aufarbeitung von bisher unbeachtetem Archivmaterial
- Aktuelle Methodik kombiniert queer theory und Männlichkeitsforschung
Andy Warhol began using wallpaper as an artistic medium in the mid-1960s. Despite the extensive scholarship on his work, this aspect of his oeuvre has received relatively little attention in research. This book examines these overlooked pieces to highlight key shifts in his artistic practice. Wallpaper and interior decoration were central to Warhol's transition from graphic designer to Pop artist and his complex engagement with painting. The medium’s affordability and mass-producibility enabled Warhol to challenge the conventions of the traditionally serious, heteronormative, and male-dominated realm of painting. These medial characteristics align with Warhol’s self-fashioning as an artist who deliberately employed techniques of queer opacity and disguise.
- First monographic work on Andy Warhol’s wallpapers
- New insights gained from an in-depth exploration of previously overlooked archival material
- Innovative methodology combining queer theory and masculinity studies
