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  • Making Sense of Music

    Making Sense of Music by McClary, Susan;

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      • Publisher's listprice GBP 81.00
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        38 697 Ft (36 855 Ft + 5% VAT)
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    38 697 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 17 September 2025

    • ISBN 9780197779750
    • Binding Hardback
    • No. of pages344 pages
    • Size 25x156x235 mm
    • Weight 583 g
    • Language English
    • Illustrations 63 music examples, 5 figures
    • 646

    Categories

    Short description:

    One of the best-known prose stylists in contemporary musicology, Susan McClary brings together a fascinating set of essays in Making Sense of Music that focus on temporality and the body as ways of understanding music. McClary grounds her readings within the specifics of historical time and place, even as she shows how the music itself relies on gesture and the body. In sum, this book demonstrates in case studies taken from a wide variety of practices how music draw upon and shapes human subjective experience.

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    Long description:

    One of the best-known prose stylists in contemporary musicology, Susan McClary brings together a fascinating set of essays in Making Sense of Music that focus on temporality and the body as ways of understanding music. Prefaced by a Foreword from celebrated theatre director Peter Sellars, the chapters engage variously with ribald songs of the Renaissance, the performance of Bach fugues, time-bending in seventeenth-century keyboard works, Grieg's Norwegian swerve, Florence Price's reclaiming of the spiritual, erotic scenarios in Mahler, representations of motherhood in Kaija Saariaho's operas, and queer elements in classical and popular repertories. McClary grounds her readings within the specifics of historical time and place, even as she shows how the music itself relies on gesture and the body. In sum, this book demonstrates in case studies taken from a wide variety of practices how music draws upon and shapes human subjective experience.

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    Table of Contents:

    Foreword by Peter Sellars
    Fundamentals: An Introduction
    I. Why I Do What I Do
    1. A Life in Musicology: Stradella and Me
    2. In Praise of Contingency: The Powers and Limits of Theory
    3. Evidence of Things Not Seen: History, Subjectivities, Music
    4. Writing about Music - and the Music of Writing
    5. The Bodies of Angels
    6. The Lure of the Sublime: Revisiting Postwar Modernism
    7. Playing the Identity Card: Of Grieg, Indians, and Women
    8. The Object/The Objective of Analysis: The Case of Florence Price
    II. Messing With Early Music
    9. Unwashed Masses: Music for the Morning After
    10. Tumescence and Detumescence in a Monteverdi Madrigal
    11. Doing the Time Warp in Seventeenth-Century Music
    12. In the Realm of All the Senses: Analyzing the Music of Élisabeth-Claude Jacquet de la
    Guerre
    13. Salome in the Court of Queen Christina
    14. Adorno Plays the WTC
    III. Sex and Gender, Redux
    15. The Classical Closet
    16. Soprano Masculinities
    17. Sister Campers
    18. Kaija Saariaho, Mater
    19. Mahler Making Love: Mengelberg's Adagietto
    Index

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