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  • Making Meaning in Puppetry: Materials, Practice, Perception

    Making Meaning in Puppetry by Posner, Dassia N.; Orenstein, Claudia; Mello, Alissa;

    Materials, Practice, Perception

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      • Publisher's listprice GBP 39.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 735 Ft (18 795 Ft + 5% VAT)
      • Discount 10% (cc. 1 974 Ft off)
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    19 735 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 9 September 2025

    • ISBN 9781032458120
    • Binding Paperback
    • No. of pages304 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 47 Illustrations, black & white; 47 Halftones, black & white
    • 700

    Categories

    Short description:

    From ice puppets to robots, from intricate marionettes to abstract forms, Making Meaning in Puppetry investigates the elusive and multifaceted how of how puppets make meaning in performance. It develops a vocabulary for understanding and articulating how the puppet’s meaning-making systems work across its three distinct parts. 

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    Long description:

    From ice puppets to robots, from intricate marionettes to abstract forms, Making Meaning in Puppetry investigates the elusive and multifaceted how of how puppets make meaning in performance.


    This engaging collection develops a vocabulary for understanding and articulating how the puppet’s meaning-making systems work across the book’s three distinct parts. Part 1 on Materiality illuminates how materials are chosen and dramaturgy is crafted into a puppet’s design; Part 2 on Practice investigates the interresponsive collaboration between puppet and puppeteer; and Part 3 on Perception considers how spectators understand and read a puppet production. The volume thus traces the full evolution of a puppet, from its raw materials, to its performance possibilities, to the moment it comes to imagined life. The seventeen chapters, authored by experts in the field, build bridges between puppetry and related fields, such as robotics, phenomenology, cognitive science, and queer theory, while using the puppet as their primary anchor of analysis.


    Making Meaning in Puppetry is ideal for students of theatre and performance studies, theatre artists, scholars, and anyone who is fascinated by this rich performance form and wants to understand it more deeply.

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    Table of Contents:


    Foreword


    John Bell


    Introduction: Recentering the Puppet


    Dassia N. Posner, Claudia Orenstein, and Alissa Mello


    PART 1


    Materials


    1 Reading the Material of Performance


    Dassia N. Posner


    2 Notes on a Material Dramaturgy


    Laura Purcell-Gates


    3 A “Paper” Leviathan: Metaphor and Materiality in the Blair Thomas & Company Moby Dick


    Skye Strauss


    4 Aesthetics of Precarity: The Vindicating Materiality of Silencio Blanco’s Puppetry


    Carlos A. Ortiz


    5 Chambre Noire: Relational Puppetry and Female Embodiment in the Puppetry of Yngvild Aspeli and Plexus Polaire


    Felice Amato


    6 Materializing the Immaterial: Puppets and Masks of Indonesia, Thailand, and Myanmar (Burma)


    Kathy Foley



    PART 2


    Practice


    7 The Radicality of the Potato People


    Denise Rogers Valenzuela


    8 The Puppet Body as Performance Archive


    Jane Catherine Shaw


    9 Lost in Object Translation: Reading Meaning in Traditional Japanese Puppetry


    Claudia Orenstein


    10 Queer Thinking of Puppetry


    Heather Jeanne Denyer


    11 Puppets and Dead Kings in Brazilian Theatre: Heiner Muller, Ophelias, and Recurrent Hamletian Machines


    Mayumi Ilari


    12 Puppetry and Technoculture


    Lawrence Switzky



    PART 3


    Perception


    13 The Relationality of Puppet Life


    Dawn Tracey Brandes


    14 In Your Sight and In Your Mind: The Puppeteer as Cognitive Guide in Koryu- Nishikawa V and Tom Lee’s


    Shank’s Mare


    Ana Díaz Barriga


    15 Puppets, Perception, and the Uncanny: Watching Performances Through a Cognitive Lens


    Pia Banzhaf


    16 Puppetry as Phenomena


    Kate Brehm


    17 Thinking through the Hand: Understanding the Puppet through Practice, Gesture, and Touch in the Work of Handspring Puppet Company


    Emma Smith Minkley


    Afterword


    Will Bixby

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