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  • Maggie O'Farrell: Contemporary Critical Perspectives

    Maggie O'Farrell by Canning, Elaine;

    Contemporary Critical Perspectives

    Series: Contemporary Critical Perspectives;

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      • Publisher's listprice GBP 28.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 849 Ft (13 190 Ft + 5% VAT)
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    13 849 Ft

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    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 24 July 2025
    • Number of Volumes Paperback

    • ISBN 9781350325043
    • Binding Paperback
    • No. of pages176 pages
    • Size 232x154x14 mm
    • Weight 280 g
    • Language English
    • 673

    Categories

    Long description:

    Bringing together cultural analysis and textual readings on critically-acclaimed bestseller and winner of the prestigious Women's Prize for Fiction, Maggie O'Farrell, this collection covers her nine novels, her memoir I Am, I Am, I Am, two children's books and features an exclusive interview with the author herself.

    The first full-length study of O'Farrell's work, this book offers critical explorations from her earliest works to the award-winning Hamnet and most recent best-selling novel, The Marriage Portrait.

    With a timeline of her life and works, as well as suggested further reading, the themes explored include grief and sacrifice, longing and belonging, trauma, translation, palimpsestic texts and the relation of her work to history and the female domestic gothic.

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    Table of Contents:

    Acknowledgments
    Contributors
    Chronology of Maggie O'Farrell's Life and Works
    Introduction - Elaine Canning (Swansea University, UK)
    In Search of Maggie O'Farrell
    1. 'The Space Between': Maggie O'Farrell's The Vanishing Act of Esme Lennox (Susan Alice Fischer, Medgar Evers College/CUNY, USA)
    2. Love, Loss and (Be)longing in After You'd Gone and The Distance Between Us (Elaine Canning, Swansea University, UK)
    3. 'The Women We Become After Children': Palimpsests of the City and the Self in Maggie O'Farrell's The Hand That First Held Mine (Ruth Gilligan, University of Birmingham, UK)
    4. Vantage Points: How Maggie O'Farrell Dissects a Marriage by Shifting Points of View in This Must Be the Place (Edward Matthews, San Diego, USA)
    5. Lost in Translation: The Dis-Located Structures of Maggie O'Farrell's My Lover's Lover (Sarah Gamble, Swansea University, UK)
    6. 'A small victory for Love over Death': the haunted narratives of I Am, I Am, I Am, Instructions for a Heatwave, and The Hand that First Held Mine (Tasha Alden, Aberystwyth University, UK)
    7. The taming shrew: Agnes in Maggie O'Farrell's Hamnet as (early) modern husbander (Nicholas Taylor-Collins, Cardiff Metropolitan University, UK)
    8. Filling Historical and Emotional Voids: Hamnet (Laurie Maguire, University of Oxford, UK)
    9. Remaking the Duchess: Underpainting and Overpainting in The Marriage Portrait (Elaine Canning, Swansea University, UK)
    10. 'Post-It Baby': An Interview with Maggie O'Farrell (Elaine Canning, Swansea University, UK)
    Bibliography
    Further Reading
    Index

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