Louise Lecavalier
Dance, Labor, Culture
- Publisher's listprice GBP 90.00
-
42 997 Ft (40 950 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 8 599 Ft off)
- Discounted price 34 398 Ft (32 760 Ft + 5% VAT)
- Discount is valid until: 31 December 2025
Subcribe now and take benefit of a favourable price.
Subscribe
42 997 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 24 July 2025
- Number of Volumes Hardback
- ISBN 9781350195202
- Binding Hardback
- No. of pages256 pages
- Size 218x136x22 mm
- Weight 548 g
- Language English
- Illustrations 40 bw illus 673
Categories
Long description:
As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
Drawing on extensive oral history accounts and archival material, the book follows Lecavalier's impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse.
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier's unique contribution and the role of the dancer more broadly as a producer of culture.
Table of Contents:
Acknowledgements
Introduction: Moving Force: On the Cultural Work of the Dancer Louise Lecavalier
Chapter 1: Dancer as Relay: Fragments for a Phenomenology of the Dancer
Chapter 2: Non Non Non: Material Labour and the Excess of the Virtuoso
Chapter 3: Punk Neo-Expressionism in the Early La La La Repertoire
Chapter 4: Hybrid Bodies, International Cyborg: Rehearsals Against Purity
Conclusion: Dancing, Glorious Expenditure
A Partial Timeline: Fragments of a Life in Dance
