Literary Imitation in the Italian Renaissance
The Theory and Practice of Literary Imitation in Italy from Dante to Bembo
Series: Oxford Modern Languages and Literature Monographs;
- Publisher's listprice GBP 185.00
-
88 383 Ft (84 175 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 8 838 Ft off)
- Discounted price 79 545 Ft (75 758 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
88 383 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Clarendon Press
- Date of Publication 28 March 1996
- ISBN 9780198158998
- Binding Hardback
- No. of pages322 pages
- Size 224x147x24 mm
- Weight 540 g
- Language English 0
Categories
Short description:
This is the first book to offer a comprehensive survey of Italian Renaissance ideas on literary imitation, the key critical concept of the period, Covering both theory and practice, and both Latin and the vernacular, Literary Imitation in the Italian Renaissance charts the development of the idea from the fourteenth to the early sixteenth century, offering fresh insights into major works of Italian literature from Dante to Bembo.
MoreLong description:
The concept of imitatio - the imitation of classical and vernacular texts - was the dominant critical and creative principle in Italian Renaissance literature. Linked to modern notions of intertextuality, imitation has been much discussed recently, but this is the first book to offer a comprehensive survey of Italian Renaissance ideas on imitation, covering both theory and practice, and both Latin and vernacular works.
Martin McLaughlin charts the emergence of the idea, in vague terms in Dante, then in Petrarch's more precise reconstruction of classical imitatio, before concentrating on the major writers of the Quattrocento. Some chapters deal with key humanists, such as Lorenzo Valla and Pico della Mirandola, while others discuss each of the major vernacular figures in the debate, including Leonardo Bruni, Leon Battista Alberti, Angelo Poliziano, and Pietro Bembo. For the first time scholars and student have an up-to-date account of the development of Ciceronianism in both Latin and the vernacular before 1530, and the book provides fresh insights into some of the canonical works of Italian literature from Dante to Bembo.
an excellent scholarly study.
