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  • Late Shakespeare and the English Baroque

    Late Shakespeare and the English Baroque by Waller, Gary;

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      • Publisher's listprice GBP 42.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 538 Ft (19 560 Ft + 5% VAT)
      • Discount 20% (cc. 4 108 Ft off)
      • Discounted price 16 430 Ft (15 648 Ft + 5% VAT)

    20 538 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781041182047
    • Binding Paperback
    • No. of pages224 pages
    • Size 234x156 mm
    • Language English
    • 700

    Categories

    Short description:

    Late Shakespeare and the English Baroque focuses mainly on Shakespeare’s late (or later) works, those written from around 1607. It sets both poetry and plays within the emerging culture of the baroque, the term defined not merely by stylistic features but by the underlying ideological ‘structure of feeling’ of baroque culture in early modern England.

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    Long description:

    Late Shakespeare and the English Baroque focuses mainly on Shakespeare’s late (or later) works, those written from around 1607. It sets both poetry and plays within the emerging culture of the baroque, the term defined not merely by stylistic features but by the underlying ideological ‘structure of feeling’ of baroque culture in early modern England. The book extends the mode of analysis of The Female Baroque (Amsterdam University Press, 2020) and draws on theoretical work by José Antonio Maravall, Raymond Williams, and Julia Kristeva. It analyzes recurring Baroque characteristics – hyperbole and melancholy, theatricality, gender, and ‘plateauing’. Attention is given to the sonnets and other poems, as well as the tragedies from Hamlet on, and argues that increasingly, tragi-comedy emerges as a distinctively baroque Shakespearean characteristic. In the final chapter, primarily on The Tempest, the late Shakespeare is shown to have philosophical insights parallel to Montaigne or Bruno, and to provide anticipatory connections with later baroque artists like Vermeer.

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    Table of Contents:

    Introduction and Acknowledgements, Chapter One: Late Shakespeare and the English Baroque, Chapter Two: Hyperbole and Melancholy: the Baroque's Key Structure of Feeling, Chapter Three: Plays, Players, Playing: the Multiple Theatricality of the Baroque, Chapter Four: Shakespeare's Late Writings and the Female Baroque, Chapter Five Towards a Baroque Poetics I: Shake-speares Sonnets, Chapter Six: Towards a Baroque Poetics II: 'The Phoenix and Turtle' and 'A Lover's Complaint', Chapter Seven: Shakespearean Baroque: Tragedy in an Emptying World, Chapter Eight: Shakespearean Baroque: From Tragedy to Tragi-Comedy, Chapter Nine: The Tempest: Plateauing and the Gradual Immanentism of the Baroque: Shakespeare, Montaigne, Bruno, Vermeer, Index

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