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  • Language and Images of Renaissance Italy

    Language and Images of Renaissance Italy by Brown, Alison;

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      • Publisher's listprice GBP 192.50
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        91 966 Ft (87 587 Ft + 5% VAT)
      • Discount 10% (cc. 9 197 Ft off)
      • Discounted price 82 770 Ft (78 828 Ft + 5% VAT)

    91 966 Ft

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Clarendon Press
    • Date of Publication 14 September 1995

    • ISBN 9780198203186
    • Binding Hardback
    • No. of pages354 pages
    • Size 224x144x27 mm
    • Weight 604 g
    • Language English
    • Illustrations halftones, line figures
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    Short description:

    The Renaissance has traditionally been regarded as a critical turning point in the history of Europe; the vital stepping stone between the Age of Faith and the Age of Reason. This classical view is challenged and reassessed in this intriguing and diverse group of essays. Leading scholars use a variety of approaches - textual and literary criticism, social anthropology and gender studies - to take a fresh look at this most creative and fascinating period of European history.

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    Long description:

    The Italian Renaissance has traditionally been regarded as a critical turning point in the history of Europe; the vital stepping stone between the Age of Faith and the Age of Reason. This classical view of the Renaissance as the birth of individualism and modernity, as formulated by the famous Swiss historian Jacob Burckhardt, is challenged and reassessed in this intriguing and diverse group of essays.
    _ Leading scholars from different disciplines use a variety of approaches - textual and literary criticism, social anthropology and gender studies - to re-evaluate the period as a whole. the book is divided into three section, which discuss the model of death and rebirth and its political function; the social context of revival in terms of corporate and individual patronage; and the renaissance body as a political metaphor and social gesture. What emerges is an account of a mixed and lively culture which avoids the old generalizations and gives a fresh view of this most creative and fascinating period of European history.

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