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  • Kunst ohne Bewusstsein?: Beitr?ge zur technologischen ?sthetik der Gegenwart

    Kunst ohne Bewusstsein? by Rottmann, Andr?; Baier, Simon;

    Beitr?ge zur technologischen ?sthetik der Gegenwart

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      • Publisher's listprice EUR 49.95
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        19 510 Ft (18 581 Ft + 5% VAT)
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      • Discounted price 18 535 Ft (17 652 Ft + 5% VAT)

    19 510 Ft

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    Product details:

    • Edition number 1
    • Publisher De Gruyter
    • Date of Publication 29 March 2026
    • Number of Volumes Gro?formatiges Paperback. Klappenbroschur

    • ISBN 9783110748635
    • Binding Paperback
    • No. of pages288 pages
    • Size 240x170 mm
    • Weight 666 g
    • Language German
    • Illustrations 30 Illustrations, color
    • 666

    Categories

    Long description:

    Unter den hochtechnologischen Bedingungen der Gegenwart wird Materialit?t in Wissenschaft wie Kunst zunehmend als Agent aufgefasst, der jenseits bewusster menschlicher Wahrnehmung in ?kologischen, digitalen oder neuronalen Umwelten angesiedelt ist. In diesem Zusammenhang bezeichnet der Begriff des nonconscious (N. Katherine Hayles) sowohl Formen computergest?tzter Erfahrung als auch neuronale k?rperliche Prozesse. Die Beitr?ge dieser interdisziplin?ren Publikation fragen nach den Konsequenzen des Nicht-Bewussten als Werkstoff und Vorstellung f?r ?sthetische Praktiken. So ?ffnen sie insbesondere die an Vorstellungen von Reflexivit?t und Intentionalit?t orientierte Theorie, Geschichte und Praxis zeitgen?ssischer Kunst f?r neue kritische Lesarten.

    • Gibt es eine Kunst ohne Bewusstsein?
    • Neue Lesarten von Theorie und Geschichte zeitgen?ssischer Kunst


    Under the present day's highly technological conditions, materiality in science as well as art is perceived increasingly as an agent located beyond conscious human perception in ecological, digital or neuronal environments. In this context, the term nonconscious (N. Katherine Hayles) refers to forms of computer-based experience as well as neuronal bodily processes. The contributions to this interdisciplinary publication enquire into the consequences of the nonconscious as material and imagination for aesthetic practices. In particular, they encourage new critical readings of the theory, history and practice of contemporary art oriented towards notions of reflexivity and intentionality.

    • Is there art without consciousness?
    • New interpretations of the theory and history of contemporary art

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