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  • Jazz Poetry: From the 1920s to the Present

    Jazz Poetry by Feinstein, Sascha;

    From the 1920s to the Present

    Series: Contributions to the Study of Music and Dance;

      • GET 20% OFF

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      • Publisher's listprice GBP 35.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        16 721 Ft (15 925 Ft + 5% VAT)
      • Discount 20% (cc. 3 344 Ft off)
      • Discounted price 13 377 Ft (12 740 Ft + 5% VAT)

    16 721 Ft

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    Product details:

    • Publisher Praeger
    • Date of Publication 30 March 1997
    • Number of Volumes Paperback

    • ISBN 9780275959159
    • Binding Paperback
    • No. of pages216 pages
    • Size 234x155 mm
    • Weight 340 g
    • Language English
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    Long description:

    Embracing the entire history of jazz poetry, the work defines this inspired literary genre as poetry necessarily informed by jazz music. It discusses the major figures and various movements from the racist poems of the 1920s to contemporary times when the tone of jazz poetry experienced a dramatic change from elegy to celebration. The jazz music of Charlie Parker and John Coltrane transliterated into poetry by the likes of Langston Hughes and Sterling Brown is but a part of this vital work. This unusual volume will be of interest to scholars and students of literature, music, American and African Studies, and popular culture as well as anyone who enjoys jazz and poetry.

    Emphasis is given to a call and response between white and African American writers. The earliest jazz poems by white writers from the 1920s, for example, reflected the general anxieties evoked by jazz, particularly regarding race and sexuality, and jazz did not fully become embraced in American verse until Langston Hughes and Sterling Brown published their first books in 1926 and 1932, respectively. By the 1950s, jazz poetry had become a fad, featuring jazz and poetry in performance, and this book spends considerable time addressing the energetic but often wildly unsuccessful work by dominantly white, West coast writers who turned to Charlie Parker as their hero. African American poets from the 1960s, however, focused more on John Coltrane and interpreted his music as a representation of the Black Civil Rights movement. Jazz poetry from the 1970s to the present has had less to do with this call and response between races, and the final two chapters discuss contemporary jazz poetry in terms of its dramatic change in tone from elegy to joy.

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    Table of Contents:

    Jazz Poetry: An Introduction
    The Sin in Syncopation
    Weary Blues, Harlem Galleries, and Southern Roads
    From Obscurity to Fad: Jazz and Poetry in Performance
    Chasin' the Bird: Charlie Parker and the 1nraptured Poets of the Fifties
    The John Coltrane Poem
    Goodbye Porkpie Hat: Farewells and Remembrances
    An Enormous Yes: Contemporary Poems
    Index

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