James Joyce and Photography
Series: Historicizing Modernism;
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45 549 Ft (43 380 Ft + 5% VAT)
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- Discounted price 36 439 Ft (34 704 Ft + 5% VAT)
45 549 Ft
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Product details:
- Publisher Bloomsbury Academic
- Date of Publication 16 June 2022
- Number of Volumes Hardback
- ISBN 9781350136960
- Binding Hardback
- No. of pages224 pages
- Size 234x156 mm
- Language English 473
Categories
Long description:
James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939).
Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.
Table of Contents:
List of Illustrations
Editorial Preface to Historicizing Modernism
Acknowledgements
List of Abbreviations
Introduction
1. Photography and Paralysis in Dubliners
2. That 'spoof of visibility': Stereoscopic 'Realism' in Stephen Hero to Finnegans Wake
3. 'it simply wasn't art in a word': Leopold Bloom, Photography and Artistic and Erotic Debate
4. James Joyce's 'Photo girl[s]'
Coda: 'A photograph [.] may be so disposed for an aesthetic end'
Notes
Works Cited
Index
James Joyce and Photography
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