Inventing the Renaissance
Myths of a Golden Age
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- Discount 18% (cc. 1 218 Ft off)
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- Discount is valid until: 31 May 2026
5 549 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 12 February 2026
- Number of Volumes Paperback
- ISBN 9781035910137
- Binding Paperback
- No. of pages768 pages
- Size 196x130x60 mm
- Weight 606 g
- Language English 687
Categories
Short description:
Based on the online blogs of acclaimed historian and author Ada Palmer, Inventing the Renaissance provides a fresh perspective on what makes this period one of the most captivating and unique parts of European history.
MoreLong description:
The Renaissance is one of the most studied and celebrated eras of history. Spanning the end of the Middle Ages to the beginning of modernity, it has come to symbolise the transformative rebirth of knowledge, art, culture and political thought in Europe. And for the last two hundred years, historians have struggled to describe what makes this famous golden age unique.
In Inventing the Renaissance, acclaimed historian Ada Palmer provides a fresh perspective on what makes this epoch so captivating. Her witty and irreverent journey through the fantasies historians have constructed about the period show how its legend derives more from later centuries' mythmaking than from the often grim reality of the period itself. She examines its defining figures and movements: the enduring legacy of Niccolï¿1⁄2 Machiavelli, the rediscovery of the classics, the rise of the Medici and fall of the Borgias, the astonishing artistic achievements of Michelangelo, Leonardo, and Cellini, the impact of the Inquisition and the expansion of secular Humanism. Palmer also explores the ties between culture and money: books, for example, could cost as much as grand houses, so the period's innovative thinkers could only thrive with the help of the super-rich. She offers fifteen provocative and entertaining character portraits of Renaissance men and women, some famous, some obscure, whose intersecting lives show how the real Renaissance was more unexpected, more international and, above all, more desperate than its golden reputation suggests.
Drawing on her popular blogs and writing with her characteristic energy and wit, Palmer presents the Renaissance as we have never seen it before. Colloquial, funny and brilliant, you would never expect a work of deep scholarship to make you alternately laugh and cry.
